____________________________, We were disappointed in this production (August 2007), and aghast that Carlotta had a much nicer voice than Christine! You will also miss seeing peoples feet if that is important to you during the ballet scenes. Still, it was a relief to hear a non-American accent (both Patric Wilson and Emi Rosum needed voice coaching). These are probably the most uncomfortable stalls we have ever been in but the view is excellent and the small theatre itself (looking from the stalls) is lovely, very sweet and intimate but desperately need new updated seats!! Yet again the show was fantastic, it just gets better every time I see it, you notice parts that you totally missed the first time round. Really great seats for a total bargain, there were a couple of moments we couldn't see brilliantly due to dry ice and the action being directly above us but nothing to quibble about and they were fleeting. But it's easily manageable, and the compensation is that it's a good and comfortable distance from the actors. Killian Donnelly is great too, although Im intrigued how Jon Robyns will do. Try another? One morning at breakfast, on opening the letter-bag, Mrs. Dale announced to her husband that her nephew, Captain Travers, of the *** Lancers, had just returned from India, and proposed paying them a visit at Christmas. Fantastic all the way His Majesty's is a lovely old Theatre. ___________________, Went to see "Phantom of the Opera" on Tuesday 27th June 2006, it was BRILLIANT! Evening Performance on Monday 28th November 2016. Eternally touching, a glorious (although occasionally dated) show, with a huge scale of emotions packed in. It would seem this row has been made smaller due to the premium seats in front of it, but having the asile seat meant I could stretch my legs out fully was the only saving grace. Beautiful, subtle, and heartbreaking We paid 40 + booking fee for Seats B27 and 28 in the Grand Circle, and whilst I'd never usually choose seats this high-up, I'd read on good authority (i.e. Get directions to Her Majesty's Theatre PS: Paul Johnsons review referred to histrionics and caricature that werent evident on this occasion. We were lucky in that no-one was sitting in front of us but I think the view would not have been badly obstructed. "Stalls E33 and 34 (34 being an aisle seat): Great seats with nothing in front, so unlimited leg room. However, having read a couple of scathing reviews (the Theatremonkey Opinion included), the more rational part of me was expecting a load of over-sentimentalized nonsense. Stalls B12 is front row and marked as 'sightline restricted,' and is to the left of the conductor but not directly behind him. (Balcony) Still, I didn't expect to miss half the show. The head of the man in front of me obscured my view slightly and my partner (who is 6'4") found that the legroom was not sufficient for him and he was a bit uncomfortable and had to keep shifting in his seat. It all seemed too loud to me and at times I found the level almost painful. Monday to Saturday at 7.30pm After asking the very helpful woman behind the desk whether they had seats available, she informed us that Her Majesty's theatre does not offer day seats, never has and never will. I've seen the show a handful of times in town and on tour, but never before have I experienced such a soulless performance by such a tired-looking cast. Until Saturday 1st April 2023Earl Carpenter will reprise his role as The Phantom. I have always loved the music and have watched the recent DVD release a few times but NOTHING compares to the live stage version. At full price, I would have preferred to have been one or two rows further back and a little closer to the centre, but as a TKTS purchase this was absolutely brilliant value. Now you're talking! I was right behind the conductor, but as is written elsewhere on this site, he isn't very tall and from where I was seated wasn't much of a problem. Leila did not come out in time for us to see her, but Alex and Ramin did. here) that the Grand Circle isn't particularly high. Oliver Thornton as Raoul was also weak but I found his character unbelievable anyway and the love affair didn't engage my emotions at all. None put in a noticeable or commendable performance and didn't help to arouse any emotions within the audience for how we should feel towards any character. His voice cracked twice more during the second half, and I felt a little bit sorry for him because I can imagine that is one of the worst things that could happen to anyone on stage. __________________, My 7 year old daughter and I recently went to see the show (February 9th 2006) and it was just brilliant. For the best experience, theres nothing like the centre of the stalls. 'Phantom' was special. If you are a resident of another country or region, please select the appropriate version of Tripadvisor for your country or region in the drop-down menu. Phantom and Christine were unconvincing and overworked, while Raoul fell into the usual trap of being a charisma vacuum. He brought back a vulnerability to the role that hasn't been seen in a Phantom since Michael Crawford in my opinion. It looks lavish, and the orchestra is huge by modern standards, but, and it's a big but, IT'S RUBBISH. These make lots of difference to the quality of viewing! Killian Donnelly as Raul was very endearing - he has a nice voice and his acting was wonderful (and what a lovely chap he is too in real life! proof that an orchestra and Europop are hardly mutually exclusive. A restricted view means that you may be unable to see the entire stage from the specified seats. My one criticism (perhaps controversially) is that on several occasions, especially apparent in Notes/Twisted In Every Way in Act Two, there are too many people singing different lines over each other to hear what anyone is singing individually. It was rather sad to see a show I love being massacred. And you see everything! I was extremely disappointed. You get a great view of actors nasal hair, but no sense of the production as a whole. Theatremonkey can only update those in the dress circle and balcony, as only these have retained the original aisles. Several of the younger Pliny's letters are addressed to Suetonius, with whom he lived in the closest friendship. She's Portuguese so I'm guessing that English is not her first language, but you'd never guess from her performance. The audience consisted of mainly tourists from SE Asia and I did wonder how on earth they could understand the performance, not easy when it is all sung, but the Korean girl sitting next to explained that she had already watched the film in Korea, so knew the story. _____________________. Seat review: Grand Circle. Phantom of the Opera, 22 Oct 2017 Anne Of course the story is daft, we all know that, but nevertheless it is pretty compelling and as with other big productions in London I just love the stagecraft involved which just makes me think oooh, thats clever the chandelier really is enormous, I was quite thankful I wasnt underneath it, the mirror, the magic tricks etc wonderful. This show is and always will remain the best musical in the world. I could also see how Christine and The Phantom enter the mirror, which spoiled the effect for me. Beware there is no actual spot to queue and we waited at one of the door on Haymarket but when they opened at 10am they opened another door. Also if youve seen the show previously you know when to look up, and I saw the Phantom when he was in the gods - and also saw him when he was in the angel structure (I never noticed before that the sculpture's eyes and mouth are lit up when the Phantom is on it - which I never would have known if I hadn't sat there). __________________. Rachel is by far the best singer I have ever seen in the part, not sounding in pain or like she was struggling. Buy your tickets with confidence here. The best of the elevator muzak score is heard within the first twenty minutes with almost all the best scenic effects and plot developments occurring simultaneously. His voice is superb and he really made the show. Being close to the aisle offers relief for cramped legs, The musical itself was magical. __________________________. For someone who normally favours the more modern musical like myself, "The Phantom of the Opera" certainly took me by surprise. I'm 5ft 9". Birmingham UK If you have an unrestricted view of something, you can see it fully and clearly, because there is nothing in the way. The best thing about Hamer Hall is simply being in it, now its had its multi-million dollar makeover; its the only venue in the world that makes bright orange feel classy. The acoustics were very good also. When he tried to bellow 'you will curse the day ' his voice just cracked massively and you could barely hear him as he struggled to get the rest of the line out. I have seen various actors and I have to say that the current cast, led by Ramin Karimloo is one of the strongest. Holly-Anne Hull as Christine is fantastic. I complained to the box office at the interval, the receptionist was apologetic but confirmed that the seats were not 'restricted viewing' - she gave me a comments card to fill in.However on returning home I e-mailed my complaints to the Theatre and received a reply immediately. Restricted view Some seats at the theatre will be labelled as 'restricted view'. In reality she is, but a little research told me she played Christine from September 2004 to October 2006 and received very good reviews, so hardly an understudy! The show was tremendous, just hope you have a short person in front of you. Tut tut Christine Daae! _____________________, Thought I'd drop you a line with regard to my most recent trip to London to finally catch "Phantom," a show that I've wanted to witness for a long time but not enough to fork out for the always-top price and hard-to-get-without-booking-early seats! We all thoroughly enjoyed the show andwhen the crowds had dispersed the staff bought out our wheelchair and had a good old natter with nanny asking herwhat she thought of the performance. Lizzie still loves the Theatre! This book defends the claims of historical-critical research into the New Testament as necessary for theological interpretation.Presenting an interdisciplinary study about the nature of theological language, this book considers the modern debate in theological hermeneutics beginning with the Barth-Bultmann debate and moving towards a theory of language which brings together historical-critical . I feel bad for the people I'd seen queuing who were in worse seats further back! Edward Bernstone Ben Lewis was good, but perhaps not the strongest Phantom I've caught - but certainly one of the better ones. ___________________________, I am demanding a refund for the two tickets I purchased through lastminute.com for the 14th February 2012 performance of Phantom. However I decided I would give him the benefit of the doubt. But always, he's full of passion. From my angle I couldnt see the orchestra pit so I actually didnt even know there was a live orchestra playing until after the curtain came down and there was a bunch of people clustered around the railing at Stalls level and I went over to have a look - this discovery then added to my awe of the show. Grand Historical Tour. Here are the hottest shows in Melbourne this month. You don't miss a thing at these seats, and they made the show much more enjoyable. He sang brilliantly in the title song, and in 'Music Of The Night' he acted and sung flawlessly. I would recommend row D and above. Besides which, Phantom is a classic "OF IT'S TIME". I have played the soundtrack every day since coming back, ha ha. ", TheGreatHumbug: In placing before the reader this unabridged translation of Adolf Hitler's book, Mein Kampf, I feel it my duty to call attention to certain historical facts which must be borne in mind if the reader would form a fair judgment of what is written in this extraordinary work. Please don't forget this was written long before the rest of the show at a time when the aim of the project was still a parody rather the thick and heady romantic spectacle that it became. 1 of 3 His Majesty's Theatre Seating Map Download HIS MAJESTY'S THEATRE SEATING MAP Downstairs at The Maj Seating Map Download DOWNSTAIRS AT THE MAJ SEATING MAP DC Bar Seating Map Download DC BAR SEATING MAP Other pages in Your Visit: History I have the soundtrack of the original, but I must say, the present Phantom knocks spots of Michael Crawford. Despite no warnings during the booking we had purchased seats with a restricted view behind a pillar. The balcony seats tend to be pretty high up, but they might be the best choice for the budget-conscious. Or am I missing something? I am still undecided whether Stalls or Royal Circle is the best position for this show though. Not sure who I saw as the Phantom but he too was good, as was the actor who played Raoul. Enjoy! This classical theatre should be running for many years to come. I couldn't have been more wrong, from the very beginning I was hooked and when the chandelier swings into the audience with the spine chilling music the hairs stood up on the back of my neck. Maximum 2 per person, first come, first served. With a seating capacity of 1,670 across three levels, it is the eighth largest theatre in London and has often been used to premiere new musicals before they transfer to the West End. We sat in the Grand Circle D17 and D18 which is right in the middle. 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